Rutgers, The State University of New Jersey
Camden Undergraduate
 
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Undergraduate Education in Camden
Degree Requirements
Liberal Arts Colleges
Camden College of Arts and Sciences
University College-Camden
Programs, Faculty, and Courses
Course Notation Information
Availability of Majors
Accounting 010
Africana Studies 014
American History 512
American Literature 352
Anthropology 070
Art (Art 080, Art History 082)
Arts and Sciences 090 (Interdisciplinary Courses)
Astronomy 100
Biochemistry 115
Biology 120
Biology, Computational and Integrative 121
Biomedical Technology 124
Business Administration 135
Business Law 140
Chemistry (Biochemistry 115, Chemistry 160)
Childhood Studies 163
Computer Science 198
Criminal Justice 202
Dance 203
Digital Studies 209
Ecommerce and Information Technology 623
Economics 220
Institute for Effective Education 964
Engineering Transfer 005
English (English Literature 350, American Literature 352, Film 354, Journalism 570, Linguistics 615, Writing 989)
Prerequisites for All Students
Major Requirements: CCAS and UCC
Minor Requirements: CCAS and UCC
Independent Study and Internship: CCAS and UCC
Departmental Honors Program: CCAS and UCC
Teacher Certification in English: CCAS and UCC
Graduate Courses for Undergraduate Credit: CCAS and UCC
Dual-Degree Program
Courses (English Literature 350)
Courses (American Literature 352)
Courses (Film 354)
Courses (Journalism 570)
Courses (Linguistics 615)
Courses (Writing 989)
European Studies 310
Finance 390
Fine Arts (Art 080, Art History 082; Museum Studies 698; Music 700, 701; Speech 950; Theater Arts 965)
French 420
Geology 460
German 470
Health Sciences 499
History (Historical Methods and Research 509; European History 510; American History 512; African, Asian, Latin American, and Comparative History 516)
Honors College 525
Human Resource Management 533
International Studies 549
Journalism 570
Latin American and Latino Studies (LALS) Minor
Law
Liberal Studies 606
Linguistics 615
Management 620
Marketing 630
Mathematical Sciences (Mathematics 640, Statistics 960)
Medicine, Dentistry, and Veterinary Medicine
Museum Studies 698
Music 700, 701
Pharmacy 720
Philosophy and Religion 730, 840
Physics 750
Political Science 790
Psychology 830
Religion 840
Reserve Officer Training Programs
Social Work 910
Sociology (Anthropology 070, Criminal Justice 202, Sociology 920)
Spanish 940
Speech 950
Statistics 960
Student-Proposed Majors and Minors 555
Theater Arts (Dance 203, Speech 950, Theater Arts 965)
Urban Studies 975
Women's and Gender Studies 988
World Languages and Cultures (French 420, German 470, Italian 560, Spanish 940)
School of Business-Camden
School of Nursing-Camden
Academic Policies and Procedures
Divisions of the University
Camden Newark New Brunswick/Piscataway
Catalogs
  Camden Undergraduate Catalog 2016-2018 Liberal Arts Colleges Programs, Faculty, and Courses English (English Literature 350, American Literature 352, Film 354, Journalism 570, Linguistics 615, Writing 989) Courses (Film 354)  

Courses (Film 354)


Courses listed below may be included in the minor program in Media Studies (657)
50:354:201 The Art of Film (3) Covers the skills necessary for the critical study of film, including an overview of the different aspects of film form--story, mise-en-scene, cinematography, editing, and sound--and how the principles allow us to analyze and study film as an art form. Prerequisite: 50:350:102.
50:354:210 Literature and Film: Issues of Adaptation (3) An introductory discussion of film adaptations of literary works that examines how cinematic techniques change works. Discussion of the adaptation process: what is lost, and what gained, by the transformation? Considers various works of art, both historical and contemporary. Prerequisite: 50:350:102.
50:354:211/212 Special Topics in Film (3) Introductory courses which use films, along with selected readings, to highlight issues in culture such as race, ethnicity, and historical contexts. Examples: From Jacobs to Django: American Slavery, The Middle Ages in the Movies, and Shakespeare on Film. Prerequisite: 50:350:102.
50:354:213 Blockbusters and Disability (3) (D) Explores the principles and imperatives of disability studies by way of an investigation of Hollywood blockbuster films. It simultaneously understands disability as a social construction even while recognizing people with disabilities as a political minority that deserve similar consideration as interconnected and overlapping groups, such as people of color, women, and members of various LGBTQ communities. Prerequisite: 50:350:102.
50:354:214 Images of the City in Literature and Film (D) (3) In this course we will use a variety of text--film, books, audio--to examine the city as a setting and subject. In particular, we will discuss urban life both within and across racial lines. How are figures from African-American, Latina-American, and Asian-American communities portrayed in literature and film? What, if any, is their interaction with one another? Authors whose work we are likely to read include James Baldwin, Sandra Cisneros, Jamaal May, and Lauryn Hill. Filmmakers likely to include Thomas A. Edison, Ridley Scott, Spike Lee, Dave Chappelle, and Grace Lee. Prerequisite: 50:350:102.
50:354:300 History of Film (3) The development of major film movements, with particular attention to the technical and stylistic contributions of major directors.
50:354:301 History of Film II (3) 1945 through the rise of conglomeration in the 1980s, including film noir, Neorealism, Japan's Golden Age, the New Wave, the arrival of TV, the end of the Hollywood studio system, the rise of personal cinema, and the blockbuster. Second part of required course in support of the English department's new track in film and media studies. Prerequisite: 50:350:102.
50:354:302 History of Film III (3) Contemporary cinema, covering the globalization of film, the influence of Hong Kong and South Korea, the rise of Third World cinema, as well as the arrival of visual effects and the proliferation of animation, independent cinema, and the end of film and the transition to digital cinema. Prerequisite: 50:350:102.
50:354:310 Literature and Film (3) Adaptations from other narrative and dramatic forms; relations between literary and film conventions; special problems in adapting literary works to film.
50:354:311 Film Theory (3) Introduction to critical methods for discussing film and film history, which will examine methods for discussing film biography, production, and other historical issues. Students will get an overview of influential critical approaches, including structuralism, psychoanalysis, and narratology. Prerequisite: 50:350:102.
50:354:312 Women in Film (3) Examines women as subjects and objects in films, as well as highlighting influential female filmmakers. Feminist film theory will be used to examine both Hollywood and independent films. Emphasis will be placed on analyzing films for constructions of gender, but issues of sexual orientation, race, and class will also be discussed. Prerequisite: 50:350:102.
50:354:313 Hitchcock (3) An overview of the career of Alfred Hitchcock, which will showcase his most important films and also discuss his influence on contemporary filmmaking. Prerequisite: 50:350:102.
50:354:314 Special Topics in Animation (3) This course covers a range of topics in animation history, production, reception, style, aesthetics, and expression. Courses may include a broad survey of innovative animators from around the world; specialty courses such as children's animation, female animators, puppets and claymation, or anime; or signature studios such as Disney or Ghibli. Prerequisite: 50:350:102.
50:354:315 American Film (3) The American film from the silent period to the present; concentrated study of several major directors such as Ford, Hawks, and Welles. Prerequisite: 50:350:102.
50:354:320 World Cinema (G) (3) Major developments and achievements in French, Italian, British, Russian, and other national cinemas; cross-influences between foreign and American cinema.
50:354:350 Major Filmmakers (G) (3) The viewing, analysis, and discussion of selected films by such directors as Griffith, Eisenstein, Ford, Huston, Welles, Bergman, Fellini, Buñuel, and Kurosawa.
50:354:391,392,393,394 Special Topics in Film (3,3,3,3) A course in a specially selected topic. Primarily, but not exclusively, for advanced students. Courses with different topics may be repeated for credit.
50:354:395 Screenwriting (3) Instruction and practice in preparing screenplays for production.
50:354:396,397,398,399 Studies in Film Genres (3,3,3,3) Intensive study of a particular genre of film, including the musical, the western, the crime drama, the comedy, or science fiction film.
50:354:401 Advanced Screenwriting (3) An advanced course in screenwriting for students who have already mastered the basics of screenplay structure and writing. Prerequisite: 50:354:395 or permission of instructor.
50:354:410 Senior Seminar in Film Study (3) Allows students to do intensive research and critical writing on a major figure, movement, or issue in film studies. Prerequisite: 50:350:102.
 
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