Courses (Art History 082)
|
21:082:101
Introduction to Art History I (3)
Emphasizes the significance and meaning of art in our civilization; selective overview of Western and some non-Western art from prehistoric times to the Renaissance; the important arts of major cultures and periods addressed through illustrated lectures, readings, and museum visits.
Recommended for nonmajors.
|
21:082:102
Introduction to Art History II (3)
Survey of art of the past few centuries; emphasis on tendencies leading to modern developments; develops the ability to respond to and to feel at ease with contemporary art forms, and to gain familiarity with major works of art and important artists. Illustrated lectures and readings, museum and gallery visits.
Recommended for nonmajors.
|
21:082:201
Art beyond the West (3)
Examines the form, function, content, and style of art in several cultures and civilizations around the world from past to present: Asian, Pacific, African, Islamic, and Native American. Slide lectures, museum visits, and research paper.
Recommended for nonmajors.
|
21:082:202
History of Design (3)
Focuses on graphic design from the 19th century to present. Includes analysis of the arts and crafts movement, art nouveau, art deco, de Stijl, and later developments such as the international style, modernism, postmodernism, and beyond. Slide lectures, research papers, and museum and gallery visits.
Open to nonmajors. Prerequisites: 21:082:101, 102, or permission of instructor.
|
21:082:207
Art and Women (3)
First half of the course examines the manner in which women have been
represented in art, primarily by male artists. The second half
concentrates on the 20th century, with a focus on the art of women.
Feminists' theory considered. Slide lectures.
Open to nonmajors. Prerequisites: 21:082:101, 102, or permission of instructor.
|
21:082:210
Introduction to Architectural History I: Prehistory to 1800 (3)
This survey of
architecture is an overview of the history of architecture from prehistory to
the 19th century. Through analytical study we will explore social,
environmental, behavioral, aesthetic, technological, and political forces that
influence and affect architectural forms, ideas, and urban patterns. A number of
different teaching formats will be used. Students will also be responsible for
contributing to course material.
Open to nonmajors.
|
21:082:211
Introduction to Architectural History II: 1800 to the Present (3)
This survey of the
Western tradition in architecture is an overview of the history of architecture
from the 19th century through today. Through analytical study we will
explore social, environmental, behavioral, aesthetic, technological, and
political forces that influence and affect architectural forms, ideas, and urban
patterns. A number of different teaching formats will be used.
Open to nonmajors.
|
21:082:270
American Art (3)
Focuses on American painting, sculpture, and photography within the context of the developing society and its tastes; emphasis on art and artists in the 19th century through the early 20th century. Slide lectures and museum visits.
Open to nonmajors. Prerequisites: 21:082:101, 102, or permission of instructor.
|
21:082:275
Black Art in America (3)
Examines both the high art and folk art aspects of black American art from a historical and contemporary point of view; emphasis on the aesthetics of the works and their relation to social and intellectual history. Field trips to New York and within the Newark area to see folk art and to visit artists.
Open to nonmajors.
|
21:082:280
Art of the Far East (3)
History of art in Japan, India, and China from the earliest periods to modern times; emphasis on understanding the aesthetics of Asian art. Slide lectures and museum trips to outstanding Asian collections at the Newark Museum and in New York.
Open to nonmajors.
|
21:082:285
Art of Africa (3)
The classical traditions of sculpture and related arts of the black people of Africa; impact of African forms on modern Western art and on the cultural traditions of the new nations of Africa. Slide lectures and museum trips to the Newark Museum and New York collections.
Open to nonmajors.
|
21:082:305
Problems in Art History (3)
Addresses specific topics in the history of art.
Open to nonmajors.
|
21:082:310
Ancient Art (3)
Arts of the civilizations of Mesopotamia, Egypt, Greece, and Rome as reflections of the ideas and ideals of these cultures; study of architecture, sculpture, painting, ceramics, and other arts; the contributions of these great cultures of antiquity to the later Western world. Slide lectures and museum trips.
Open to nonmajors.
|
21:082:320
Medieval Art (3)
History of art from the fall of Rome to the Renaissance: early Christian and Byzantine; Romanesque and Gothic; sculptural and architectural monuments, as well as objects created by migratory cultures of the period. Slide lectures and museum trips.
Open to nonmajors.
|
21:082:330
Renaissance Art (3)
Examines European painting, sculpture, and architecture from about 1400 to 1580; emphasis on the major masters of the period--Jan van Eyck, Donatello, Leonardo da Vinci, Dürer, Michelangelo, El Greco, and others--whose artistic legacy provides a visual record of this important period in Western civilization. Slide lectures and museum trips.
Open to nonmajors.
|
21:082:333
Newark: A History of Art, Architecture, and Cultural Institutions (3)
Weekly seminar meets primarily off campus to examine and analyze various sites and institutions throughout the city. Each class period spent exploring a different aspect of Newark's cultural legacy, often in lectures and discussions led by leading local specialists from the city's most influential cultural institutions.
Open to nonmajors.
|
21:082:340
Baroque and Rococo Art (3)
European art and architecture from 1580 to 1800; emphasis on the great masters of the period: Rembrandt, Rubens, Caravaggio, Bernini, Velazquez, and others; survey of the transformation of the baroque style into the rococo. Slide lectures and museum visits.
Open to nonmajors.
|
21:082:350
Development of Modern Art (3)
Traces the development of modern art from 1770 to 1945, focusing on major trends from neoclassicism to surrealism. Slide lectures and museum visits.
Open to nonmajors. Prerequisites: 21:082:101, 102, or permission of instructor.
|
21:082:360
Art since 1945 (3)
Explores art since 1945. Emphasizes styles such as abstract expressionism, minimalism, pop, conceptual art, feminist art, performance art, neo-expressionism, and postmodernism as well as new and developing trends in art. Slide lectures, and museum/gallery visits.
Open to nonmajors. Prerequisites: 21:082:101, 102, or permission of instructor.
|
21:082:380
Art, Design, and Style: 19th- and 20th-Century Decorative Arts (3)
Explores the relationship between the fine arts of painting, sculpture, and architecture and the decorative, or applied arts, of the 19th and 20th centuries. The course includes museum trips in New York and New Jersey.
Open to nonmajors.
|
21:082:382
History of Photography (3)
Surveys technical and aesthetic development of photography from prephotography optical inventions to contemporary photographic art.
Open to nonmajors.
|
21:082:391,392
Individual Study in Art History (3,3)
Special work in art history research for students who have already completed some upper-level coursework in art history. Directed by faculty member; designed to meet specific interests.
Prerequisite: Permission of instructor.
|
21:082:393,394
Internship in Art History (3,3)
Opportunity to explore career possibilities. Limited to students interested in developing curatorial and exhibition skills through museum or gallery work; intern in the Paul Robeson Gallery on the Newark Campus or in other locations, under departmental supervision.
Prerequisite: Permission of adviser.
|
21:082:405
Problems in Contemporary Art (3)
Examination of significant ideas and problems in contemporary painting, sculpture, and multimedia; emphasis on the current scene.
Open to nonmajors.
|
21:082:497,498
Senior Seminar in Art History (3,3)
Culminating courses for students majoring in art with a specialization in art history. Thesis topic selected in consultation with the adviser.
Open to majors only. Prerequisite: Completed coursework in area of specialization.
|