01:354:201
Introduction to Film (3)
Film study, with emphasis on basic concepts of film analysis (narrative, editing, mise-en-scène, and sound) and the historical development of cinema as an institution.
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01:354:202
Introduction to Film (3)
Film study, with emphasis on commercial cinema as an institution (genres, directors, and stars) and on nonnarrative types of film (documentary, experimental).
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01:354:210
Close Readings of Cinema (3)
Formal analyses of six or seven individual films; emphasis on visual track, sound track, and scenario-narrative construction.
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01:354:308
Screenwriting (3)
Nature and theory of the screenplay; practice in writing for the screen, from short scenes to longer projects.
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01:354:312
Cinema and the Arts (3)
Relationship between film and aesthetic movements in literature and the arts, such as expressionism, cubism, futurism, constructivism, and surrealism.
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01:354:315
American Cinema I (3)
American film from the silent period to 1940; emphasis on the development of American cinema both as a social institution and a symbolic form.
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01:354:316
American Cinema II (3)
American film from 1940 to the present; emphasis on the height of the Hollywood studio and its decline in the late 1950s and 1960s.
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01:354:320
World Cinema I (3)
Developments in French, Italian, British, Russian, and other national cinemas from 1896 to World War II; also examines cross-influences between foreign and American cinema.
Credit not given for both this course and 01:195:320 or 01:175:320.
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01:354:321
World Cinema II (3)
Developments in French, Italian, British, Russian, Japanese, and other national cinemas after World War II; also examines cross-influences between foreign and American cinema.
Credit not given for both this course and 01:195:321 or 01:175:321.
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01:354:330,331
Critical Methodology in Film (3,3)
Critical methodology, reviewing genre theory, theories of authorship, Marxist, feminist, cultural-materialist, and psychoanalytic criticism as applied to film.
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01:354:350,351
Major Filmmakers (3,3)
Questions of meaning in film through the work of such major directors as Ford, Renoir, Hawks, Ophuls, Bergman, Mizoguchi, and Hitchcock.
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01:354:370
Film Genres (3)
Analysis of film genres, such as the western, comedy, horror film, film noir, and the musical; theory of genre; and history of genre criticism. May cover more than one genre.
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01:354:373
The Documentary (3)
History, theory, and practice of documentary film, including ethnographic film, propaganda, newsreel, direct cinema, video verite, social activist film, postmodern documentary, and antidocumentary.
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01:354:375
Film and Society (3)
Analysis of films in their sociopolitical contexts, including issues of race, class, and gender; relation between film as art form and the politics of culture.
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01:354:385
Theories of Women and Film (3)
Basic concepts in feminist film theory; the female voice in cinema; representations of women in classical Hollywood film; and films made by women.
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01:354:391,392
Special Topics in Film Studies (3,3)
Intensive study of a particular national cinema, period in film history, studio, or genre. Sections designed by individual instructors; consult departmental announcement.
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01:354:420
Seminar: Film Theory (3)
Major developments in film theory from the silent era to the present; writings on film by Eisenstein, Kracauer, Bazin, Metz, Barthes, and others; practice in using different methods to analyze films.
Prerequisites: 01:355:101 or equivalent plus any 200-level English department film course (01:354:201, 202, or 210).
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