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50:354:300
History of Film (3)
The development of major film movements, with particular attention to the technical and stylistic contributions of major directors.
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50:354:310
Literature and Film (3)
Adaptations from other narrative and dramatic forms; relations between literary and film conventions; special problems in adapting literary works to film.
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50:354:315
American Film (3)
The American film from the silent period to the present; concentrated study of several major directors, such as Ford, Hawks, and Welles.
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50:354:320
World Cinema (G) (3)
Major developments and achievements in French, Italian, British, Russian, and other national cinemas; cross influences between foreign and American cinema.
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50:354:350
Major Filmmakers (G) (3)
The viewing, analysis, and discussion of selected films by such directors as Griffith, Eisenstein, Ford, Huston, Welles, Bergman, Fellini, Buñuel, and Kurosawa.
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50:354:391,392,393,394
Special Topics in Film (3,3,3,3)
A course in a specially selected topic.
Primarily, but not exclusively, for advanced students. Courses with different topics may be repeated for credit.
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50:354:395
Screenwriting (3)
Instruction and practice in preparing screenplays for production.
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50:354:396,397,398,399
Studies in Film Genres (3,3,3,3)
Intensive study of a particular genre of film, including the musical, the western, the crime drama, the comedy, or science fiction film.
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50:354:401
Advanced Screenwriting (3)
An advanced course in screenwriting for students who have already mastered the basics of screenplay structure and writing.
Prerequisite: 50:354:395 or permission of instructor.
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