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26:350:501,502Readings in British and American Literature (3,3) Independent study course in directed readings available only by special arrangement. Prerequisite: Permission of instructor. |
26:350:503Introduction to Graduate Literary Study (3) Studies in textual scholarship; literary research and bibliography; critical theories; various methods of literary study; issues in the discipline. |
26:350:506Rhetorical Theory and the Teaching of Writing (3) Examination of the application of classical and modern theories of rhetoric and literary criticism to the teaching of writing. Hoddeson, Kiniry |
26:350:507Studies in Fiction (3) Survey of kinds of narrative and evolution of main forms, with attention to theory of fiction in the writings of Booth, Frye, narratologists, Bakhtin, feminist theory, and others. Larson |
26:350:508Critical Theories (3) Study of 20th-century critical theories and debates in America and Europe. Course may include, but is not limited to, New Criticism, Marxist theory, feminism, structuralism, deconstruction, or postcolonial theory. |
26:350:509Studies in Dramatic Form (3) Comedy, tragedy, masque, history, play, mystery, and morality plays, with emphasis on English dramatists. daVinci-Nichols |
26:350:511Poets and Poetry (3) Intensive readings in selected poetry in English in the 20th century. Investigation of a range of traditions and critical responses. Hadas, Hirschberg |
26:350:513History of the English Language (3) Focus on the history of the English language from Anglo-Saxon times to the present, with some consideration of theories of language, history of philology, and modern linguistics. |
26:350:514Research Sources and Data Techniques (3) In-depth study of ways and means to find information. Examination of all aspects of information science: conventional and esoteric, traditional and contemporary. Students share problems, discuss solutions, and exchange discoveries as they explore a subject of their choice. Consideration of both the academic and the practical advantages of competent information management. |
26:350:517Creative Writing: Prose (3) Literary knowledge of and practice in the basic elements of fiction writing, such as character, setting, point of view, tone, and theme. Students may work in a variety of literary prose genres. Writing is read and discussed in class workshops and in individual conferences with the instructor. Regular written criticism provided. |
26:350:518Creative Writing: Prose II (3) Continued study of the basic elements of fiction writing, with more attention to plotting and scene development. Students may also work in a variety of literary prose genres. Writing is read and discussed in class and in individual conferences with the instructor. Regular written criticism provided. Prerequisite: 26:350:517 or permission of instructor. |
26:350:519,520Creative Writing: Poetry (3,3) Experiment with a variety of poetic techniques, including forms such as the sonnet, sestina, and villanelle. Students read one another`s work and receive critical evaluations from the instructor. Hadas |
26:350:521Topics in Literature (3) Consideration of certain authors, periods, literary backgrounds, problems, and approaches. For specific subject matter in a given term, consult the Schedule of Classes and the English department. |
26:350:522Independent Study (BA) Individual study directed by a faculty member arranged for qualified students. Written permission from faculty member concerned and program director must be secured in the preceding term. |
26:350:523Nonfictions (3) Focuses on factual materials in fictional forms. It is designed both for the literary track and the writing track. Students on the literary track read works from a core list (or other individually approved readings) and write theoretical/critical papers. Students on the writing track write works of their own in the nonfictional form(s) they prefer. The conventions and practices of the old and new journalisms and the increasingly blurred distinctions between fact and fiction will be intrinsic to the subject matter. This course counts toward both the literature and the writing tracks. Hoddeson |
26:350:524Poetry for Poets (3) Stresses the elements of poetry (notably prosody and figurative language), with emphasis on both critical analysis and poetic technique. This course counts toward both the writing and literature tracks. Hadas |
26:350:525Fiction for Fiction Writers (3) The nuts and bolts of constructing both longer and shorter narratives, with emphasis on critical analysis and writing techniques. This course counts toward both the writing and literature tracks. |
26:350:526Screenwriting (3) Learning and practice in elements of scripting such as research, treatments, description of action (gesture, movement), visual narrative development, voiceover narrative, character development and dialogue, relations between visual track and audio track, the use of documentary, scenic development and structure, visual and auditory metaphors, rewrites. Writing assignments include a series of exercises typically leading to a single script project, subject to workshop critique and further revisions. |
26:350:527Biography, Autobiography, and Memoir (3) A course that retraces the evolution of what today is collectively known as life-writing. Format is designed for students on the literature track who wish to study these highly popular and critically much-contested written forms in order to write essays on the readings and for students on the writing track who wish to research and write their own memoir or autobiography. Readings range from classical times (Suetoious, Plutarch, Augustine) to the present, but the chief focus is modern and postmodern biography-i.e., current modes of pathography, autobiography, and memoir. Student writings from both tracks are intrinsic to course readings and class discussion. |
26:350:529-530Old English (3,3) First term: a study of Old English grammar; reading of selected short pieces in prose and poetry. Second term: a close study of Beowulf. |
26:350:531Introduction to Publishing and Editing (3) Introduces students to elements of the craft of editing and the business of publishing books and periodicals (journals, magazines, etc.). Subjects covered include the role of the editor with an informal survey of various editorials styles and tastes; the workings of the writer-editor relationship; basic publishing procedures; topics from the history of publishing; nonprofit versus commercial publishing; the impact of marketing and publicity on publishing; and differing expectations for success. Assigned readings include books and articles, as well as sample periodicals. A research project and short writing assignments required. The course may be augmented with occasional guest speakers. |
26:350:533,534Chaucer (3,3) Close study of Chaucer`s poetry, especially the Canterbury Tales and Troilus and Criseyde. Heffernan |
26:350:535Medieval Literature (3) Major works in medieval English literature, excluding Chaucer, with emphasis on Piers Plowman and the Gawain-Poet. Heffernan |
26:350:537,538Writing for Business and the Professions (3,3) Advanced course designed to refine skills in writing (exposition, argument, description) and critical, analytical reading in various fields. |
26:350:539Introduction to Renaissance Studies (3) Selected readings from Dante to Spenser. Baker |
26:350:541,542The 16th Century (3,3) Study of the major poets and prose writers of the Tudor and Elizabethan periods, including Wyatt, Surrey, Spenser, Sidney, More, Browne, and Hooker. Baker |
26:350:543Elizabethan Drama (3) Sixteenth- and 17th-century drama, excluding Shakespeare, with emphasis on Marlowe and Jonson. Baker, daVinci-Nichols |
26:350:544Studies in the Renaissance Epic (3) New consideration of the Renaissance epic as a literary form. Special attention given to the Renaissance conception and practice of mimesis, the literary imitation of reality, and of allegory. Critical readings of selections from Dante`s Divine Comedy, Tasso`s Jerusalem Delivered, Spenser`s Faerie Queene, Milton`s Paradise Lost, and several minor Renaissance epics. Baker |
26:350:545,546Shakespeare (3,3) Intensive study of several plays with concern for scholarship and criticism and the 17th-century background. daVinci-Nichols |
26:350:547Mimesis and Poetry (3) Studies in the Renaissance theory and practice of artistic "imitation" in works of Dante, Spenser, Milton, and Donne, with stress upon poetic structures. Close analysis made of corresponding iconography in poetry, prose, cosmographical designs, architecture, and painting. |
26:350:548Publishing and Editing Internship (3) Internship with selected literary or academic journals published at Rutgers or independently in the metropolitan area. Prerequisite: 26:350:531. |
26:350:549,550The 17th Century (3,3) Critical readings in the "metaphysical" verse of Donne and his "school"; of the neoclassical poetry of Jonson and his circle; and of prose selections by Hobbes, Bacon, Browne, and others. Literary works studied in the light of 17th-century political, religious, and intellectual problems and with attention to recent scholarly and critical commentary. Baker |
26:350:551Topics: Psychoanalysis, Literature, Culture One hundred years after Sigmund Freud invented psychoanalysis, Freudian/post-Freudian theory and practice remain among the most controversial and influential fields in contemporary literary cultural studies. All literary works are paired with relevant psychoanalytic texts that begin but do not end with Freud. |
26:350:553Science Fiction (3) Introduction to the history, cultural significance, and artistic achievement of science fiction. Franklin |
26:350:554Milton (3) Fresh look at Milton as artist and cultural reformer. Milton`s attitudes toward the "new science"; religious and political problems; new theories of education and art; and questions of individual, civil, and domestic liberties. Emphasis on an original critical appreciation of Milton`s literary artistry. Baker |
26:350:555Studies in Film (3) Attempts to define and isolate the central characteristics of various popular Hollywood genres. Each genre`s evolution traced chronologically, studying the films` variations against the genre`s preordained, value-laden narrative system. In alternating terms, the course covers the gangster/detective film, the Western melodrama, and screwball comedy. Miller |
26:350:556Studies in Satire (3) Intensive readings of selected masterworks of satire, primarily by English and American authors, but with some attention to classical satirists (Horace, Juvenal, Lucian), satirists of the Renaissance (Erasmus, Rabelais, Jonson), and 20th-century theorists of satire. Included among the last group are Mark Twain, Shaw, Huxley, Heller, Nabokov, Giraudoux. A major satirist, such as Swift, is read at greater length. Lynch |
26:350:558Urban Literature (3) Studies in literature, primarily after 1900, in which the American city plays some role. Investigation of the "literary city" versus country, the model city, and the real city. Readings from the works of Dreiser, Lewis, O`Hara, O`Neill, Selby, F.L. Wright, and others. Foley |
26:350:559,560The 18th Century (3,3) Readings in Defoe, Addison, Steele, Shaftesbury, Mandeville, Swift, Pope, Thomson, Gray, and in Johnson, Boswell, and their circle. Lynch |
26:350:561Literature and Film of the Third World (3) Introduction to the literature and film of the oppressed and revolutionary peoples and nations of the modern world. Works from Africa, Asia, Latin America, and the Caribbean. Franklin |
26:350:562The Political Novel (3) Intensive examination of late 19th- and 20th-century American and English political novels, works of fiction where political ideas (reactionary, reformist, radical) play a dominant role. Exploration of the representation of anarchism, terrorism, and utopianism by such novelists as Joseph Conrad, George Orwell, and Doris Lessing. Tiger |
26:350:563Women in Literature (3) Detailed examination of women writers representative of historical periods. Readings from Mary Wollstonecraft, Fanny Burney, Maria Edgeworth, Jane Austen, George Eliot, Elizabeth Gaskell, Virginia Woolf, Doris Lessing, Margaret Drabble, Jean Rhys, and Barbara Pym. Larson, Tiger |
26:350:564Women's Literatures (3) Readings from feminist literary theory and criticism and the application by way of detailed analysis and discussion of selected British novelists representative of three historical periods. Issues of gender and the problematics of gendered narrative genres structure the course`s investigations. Larson, Tiger |
26:350:565The Novel to Jane Austen (3) Rise of the novel as a social and psychological mirror of man; studies in such authors as Defoe, Richardson, Fielding, Smollett, Sterne, Godwin, and Austen. Lynch |
26:350:568Literary Topics in Women's and Gender Studies (3) From a literary, historical and/or cultural perspective this course allows students to bring a dimension to their graduate work in gender studies that draws upon the vast body of feminist scholarship in the humanities, particularly the fields of language and literary studies. It may focus on women writers or the representations of men and women in particular literary genres; it may focus on feminist and gender-related questions that have been investigated most thoroughly through the techniques of narrative and literary study. This course, while taught from a perspective informed by literary methods, engages a dialogue with feminist issues that emerge from fields such as political science, history, psychology, urban studies, and American studies. |
26:350:569,570The Romantic Period (3,3) Prose and poetry of English Romanticism. First term: concentration on Blake, Wordsworth, and Coleridge. Second term: concentration on Shelley, Keats, and Byron. |
26:350:571,572Victorian Literature (3,3) Studies of the poets, novelists, autobiographers, and essayists of the period in their cultural contexts, beginning with Carlyle and including Tennyson, the Brownings, the Rossettis, Hopkins, Wilde, Arnold, Mill, Nightingale, Ruskin, Morris, Pater, Dickens, the Brontės, Gaskell, Eliot, Carroll, Gissing, sensation fiction, and working-class poetry and autobiography. Larson |
26:350:577The Bible and Its Literary Influences (3) Historical review of the influence of the biblical tradition in Western literature and theory. Selected parts of the Bible read as literary texts. Biblical passages are studied side by side with fiction, plays, and poems that draw upon scripture for archetype, symbol, character type, paradigmatic plot and narrative strategy, poetic and prophetic imagery, literary allusion, biblical parody, and theme. Larson |
26:350:578The Nature of Comedy (3) Major theories and forms of comedy in the Western tradition, from Aristophanes`s "Old Comedy" through romance, satire, and farce, to fantasy and modern absurdism. Emphasis falls on developing critical positions. daVinci-Nichols |
26:350:589Twentieth-Century British Novel (3) Study of representative works by important innovators of the period. Primary emphasis on the radical shifts in theme and technique resulting from the novelist`s changing conceptions of male and female roles in society. Central to the examination of each novel is the "Condition of England" question and its various manifestations in each of the novels under discussion. Tiger |
26:350:590Modern British Drama (3) Study of representative works by the important dramatists of the period. Such dramatists as Bernard Shaw, Samuel Beckett, Harold Pinter, and Tom Stoppard read in light of historical shifts in theme and technique. daVinci-Nichols, Tiger |
26:350:591Modern British Poetry (3) Major British poets of the 20th century, including Hardy, Yeats, Thomas Larkin, Hughes, and others. |
26:350:617Advanced Fiction Writing (3) Emphasis on the revising process with the advanced student`s ongoing work. The writing is read and discussed in the class and in individual conferences with the instructor. Students and instructor both provide written commentary on the work submitted. For writing track students; others by instructor`s permission only. |
26:350:618Problems in Advanced Writing (3) Methods and approaches for writing in various genres, as determined by the instructor. Discussion of readings and advanced students` writing in workshop formats as well as in conferences with the instructor. Students and instructor both provide written commentary on the work submitted. For writing track students; others by instructor`s permission only. |
26:350:696,697Master's Thesis (BA,BA) Thesis supervised by two faculty members, one directing the project. Arranged for qualified students only and with the permission of the faculty members concerned. Program director`s permission must be secured in the preceding term. |
26:350:698Readings in Literature (3) Readings in critical relations among works of different periods or genres, the variety of literary responses to a given historical moment. The relation of English and American literature to its intellectual and social origins, and the effects of literary works on society. Offered as a special topics course and also an option for independent study with a faculty member. |
26:350:699Advanced Readings in Literature (3) Intensive readings in the life and works of one or more major authors. Possible offerings include Joyce, Faulkner, Woolf, Yeats, Hawthorne, and Langston Hughes. Bland, Ehrlich, Foley, Russell |
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26:352:509,510Studies in American Literature (3,3) Readings and criticisms with a focus, each term, on an individual
author, a thematic element, or a special problem in American
literature.
Bland, Ehrlich, Foley, Russell |
26:352:511,512American Literature to 1900 (3,3) Recent approaches to major American authors, chiefly of the 19th century, including Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, James, Twain, and Dickinson. Bland, Ehrlich |
26:352:513Studies in American Fiction (3) Novels and short stories from a range of 19th- and 20th-century American fiction. Bland, Foley |
26:352:514Studies in American Drama (3) Major American dramatists, including O`Neill, Odets, Williams, Albee, and others. Miller |
26:352:515Studies in Modern American Poetry (3) Examines the span of important American poetry, 1900-2000: Frost, Stevens, Eliot, Pound, Williams, Moore, Hughes, Bishop, Jarrell, Lowell, Plath, and many others. Not, however, a survey course. Hadas |
26:352:523,524American Literature since 1900 (3,3) Selected literary themes based on readings drawn from the works of Eliot, Hemingway, O`Neill, Cummings, Faulkner, Miller, Dos Passos, Williams, Wright, Anderson, and others. Foley |
26:352:526American Proletarian Writers (3) Examination of leftist writers associated with the so-called proletarian school of the depression-era United States. Study of fiction, poetry, reportage, and drama by writers such as Agnes Smedley, John Steinbeck, Josephine Herbst, Clifford Odets, John Dos Passos, Richard Wright, Jack Conroy, Myra Page, and Langston Hughes. Writers placed in the context of social and political debates of the time, but course also addresses a range of theoretical questions about the relation of politics to literary discourse. Foley |
26:352:531Ethnicity in American Literature (3) Weekly lectures by experts who explain the contributions of ethnic writers to the body of American literature. Foley |
26:352:537,538Contemporary American Literature (3,3) Survey of the significant literature of the United States during the post-World War II era. Focus on the contribution to the national literature of various regional and multicultural perspectives which have recently emerged. Franklin, Russell |
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