Degree Programs Offered: Master of Arts, Doctor of Philosophy

Certificate Programs Offered: Certificate in Curatorial Studies, Certificate in Historic Preservation

Director of Graduate Program: Professor John Kenfield, 207 Voorhees Hall, College Avenue Campus (848-932-1289)

Website: http://arthistory.rutgers.edu/menu-iii

Members of the Graduate Faculty

Sarah Brett-Smith, Professor of Art History, SAS; Ph.D., Yale
African

Tatiana Flores, Associate Professor of Art History, SAS; Ph.D., Columbia
Latin American and contemporary art; critical theory

Tarek Kahlaoui, Assistant Professor of Art History and History, SAS; Ph.D., Pennsylvania
Islamic history and culture in the Mediterranean

John F. Kenfield III, Associate Professor of Art History, SAS; Ph.D., Princeton
Greek and Roman

Tod A. Marder, Distinguished Professor of Art History, SAS; Ph.D., Columbia
Renaissance; baroque; historic preservation

Sarah E. Blake McHam, Distinguished Professor of Art History, SAS; Ph.D., New York
Italian Renaissance

Benjamin Paul, Associate Professor of Art History, SAS; Ph.D., Harvard
Italian Renaissance

Catherine R. Puglisi, Professor of Art History, SAS; Ph.D., New York
Baroque

Jane Sharp, Associate Professor of Art History, SAS; Ph.D., Yale
Nineteenth- and 20th-century European art; Russian

Susan Sidlauskas, Professor of Art History, SAS; Ph.D., Pennsylvania
Nineteenth- and early 20th-century art and visual culture; gender studies

Erik Thunø, Professor of Art History, SAS; Ph.D., Johns Hopkins
Medieval art

Laura Weigert, Professor of Art History, SAS; Ph.D., Northwestern
Northern Renaissance art

Carla Yanni, Professor of Art History, SAS; Ph.D., Pennsylvania
Nineteenth- and 20th-century architecture; historic preservation

Andrés Mario Zervigón, Associate Professor of Art History, SAS; Ph.D., Harvard
History of photography

Associate Members of the Graduate Faculty

Jessica Brown, Executive Director of New England Biolabs Foundation; M.A., Clark College
Nature; agro-biodiversity; wild biodiversity; cultural and spiritual values in countries of the Caribbean, Mesoamer­ica, Andean South Amer­ica, Cen­tral and East­ern Europe, and the Balkans

Ian Burrow, Principal Archaeologist, Hunter Research, Inc.: Ph.D., Birmingham
Archaeology and cultural resource management in the Unites States and beyond

Meredith Bzdak, Partner, Mills and Schoering Architects; Ph.D., Rutgers
The modern city (North American and Italy); preservation of the recent past

Brian Isaac Daniels, Director of Research and Programs, Penn Cultural Heritage Center, Penn Museum; Ph.D., Pennsylvania
Archaeology; antiquities
 
Mark Alan Hewitt, Mark Alan Hewitt Architects; M.Arch., Pennsylvania
History, theory, and technology of architecture; historic preservation

Michael Mills, Partner, Mills and Schoering Architects; M.S., Columbia
Promoting the inclusion of preservation values in art and architecture degree programs

Ken Taylor, Professor Emeritus of Landscape Architecture, University of Canberra; M.L.A., Melbourne
Cultural landscapes, values, and meanings; conservation management; cultural mapping; historic site management

Katherine Woodhouse-Beyer, Instructor in Art History, SAS; Ph.D., Brown
Cultural resource management; material culture studies; Native North Americans

Adjunct Member of the Graduate Faculty

Donna Gustafson, Andrew W. Mellon Liaison for Academic Programs and Curator, Zimmerli Art Museum, Rutgers; Ph.D., Rutgers
American and contemporary art; curatorial studies