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The Mason Gross School of the Arts
 
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  Mason Gross School of the Arts 2016–2018 Graduate Programs in Visual Arts Graduate Courses  

Graduate Courses
08:081:513,514 Drawing I (4,4)
This course examines drawing through the lens of the 21st century encompassing a wide range of media and approaches, as well as through the history and traditions of the discipline. Topics include: analysis and critique of student work, examination of technical aspects and theoretical issues, review of current art criticism, various social and cultural perspectives, and the continually changing role of the artist in society. Students working in all media are welcome.
08:081:515,516 Printmaking I (4,4)
The history of print is inseparably linked to the dissemination of information beginning with Gutenberg continuing through to the internet. The fall semester covers print multiples including, but not limited to: serigraphy, intaglio, photolithography, monotype, print as installation. Fall semester will produce a portfolio of prints or multiples by each of the participants from the class. The student's print will be developed in collaboration with the master printer from the Brodsky Center and the professor. An outside artist will be invited to participate in the folio and the students will help in the production of the print/multiple. The spring semester will explore the epub as a tool for broadcasting creative content, not as a catalog of one's work, but innovating new forms of communication with dynamic and interactive matter.
08:081:517,518 Painting and Studio Problems I (4,4)
Individual and group studio critiques of painting to facilitate development of a personal style as an idiom. Shared assigned readings and discussions of New York gallery and museum exhibitions in all media are required.
08:081:521,522 Visiting Artists/First-Year Review (4,4)
This is a required course for both the fall and spring semesters for first-year graduate students. It features weekly presentations and lectures from noted artists, critics, and curators invited to the school.  Each student will participate in a limited number of individual studio visits with invited guest presenters. At the end of the first and second semesters, the faculty conducts a review, where the students present their work for critique. The first-year review takes the form of a critique of work exhibited in the First-Year Graduate Student Exhibition, usually scheduled from mid-November to December of the first semester in the Mason Gross Galleries. A one-page artist statement is required for this review. An individual studio review is at the end of the second semester.
08:081:523,524 Sculpture I (4,4) The goal of this class is to help students develop as productive practicing artists. This course will provide a forum for the exploration of students' individual directions within the context of sculpture practice. Individual presentations will be conducted to encourage critical analysis and discussion. Instructor-student critiques will take place throughout the semester. We will also talk about contemporary trends in the art world and current gallery and museum exhibitions, as well as practical concerns regarding materials, archiving, grant solicitation, commissions, etc. Essays related to sculpture will be assigned throughout the course.
08:081:525,526 Research Projects I (4,4) A. First-year students will work directly with an assigned instructor in an undergraduate course based on student's concentrations to assist teaching for one semester to become eligible to be offered teaching opportunities.

B. Individual project proposed by student to faculty member of his or her choice; faculty member who approves the project then acts as its adviser.

08:081:529,530 Conversations with Artists I (4,4) Group critiques, individual meetings, and readings with an emphasis on conversations between artists and the impact photography has on all media. Includes visits to artist's exhibits and studios in New York City.
08:081:531,532 Media Seminar I (4,4) A topics driven seminar on critical issues in media and contemporary art. For students working in all media, class includes readings, group critiques, and screening, and often culminates with a collaborative class event, exhibition, and/or publication.
08:081:543,544 Art Criticism I (4,4) Examination of the symbiotic relationship between an artist and the discourse in which his or her work is embedded.
08:081:551,552 Studio Internship I (4,4) Offers direct experience in the profession. Students are responsible for locating internships with master artists, galleries, alternative art spaces, periodicals, and programs. The graduate director acts as the liaison once an internship is established.
08:081:553,554 Painting and Practice I (4,4) Weekly seminar where public and private methods of critique and studio practices are explored through group critiques, presentations, and in-class participation.
08:081:569,570 Beyond the Studio I (4,4) Investigation of artist's public self with an emphasis on the artist talk/lecture and the translation for digital reproduction of artwork in any medium. Readings will include manifestos. Class discussions will include critiques of participants' artwork, lectures, manifestos, and online activity.
08:081:571,572 Current Issues in Art Practice I (4,4)
Individual studio meetings, group critiques, and reading/discussion-based seminars on range of issues and themes in art history, contemporary art, and culture. Readings change each semester and are across disciplines and media.
08:081:613,614 Drawing II (4,4) Continuation of 08:081:513,514  Drawing I.
08:081:615,616 Printmaking II (4,4) Continuation of 08:081:515,516  Printmaking I.
08:081:617,618 Painting and Studio Problems II (4,4) Continuation of 08:081:517,518  Painting and Studio Problems I.
08:081:621,622 Visiting Artists (4,4) Weekly lectures and presentations of work and ideas by invited guest artists, critics, and curators; followed by discussion. As part of this course, students participate in a limited number of individual studio visits.
08:081:623,624 Sculpture II (4,4) Continuation of 08:081:523,524  Sculpture I.
08:081:625,626 Research Projects II (4,4) Individual project proposed by student to faculty member of his or her choice; faculty member who approves the project then acts as its adviser.
08:081:629,630 Conversations with Artists II (4,4) Continuation of 08:081:529,530 Conversations with Artists I.
08:081:631,632 Media Seminar II (4,4) Continuation of 08:081:531,532  Media Seminar I. 
08:081:643,644 Art Criticism II (4,4) Continuation of 08:081:543,544  Art Criticism I.
08:081:651,652 Studio Internship II (4,4) Offers direct experience in the profession for second-year graduate students, who are responsible for locating internships with master artists, galleries, alternative art spaces, periodicals, and programs. The graduate director acts as the liaison once an internship is established.
08:081:653,654 Painting and Practice II (4,4) Continuation of 08:081:553,554  Painting and Practice I.
08:081:669,670 Beyond the Studio II (4,4) Continuation of 08:081:569,570  Beyond the Studio I.
08:081:671,672 Current Issues in Art Practice II (4,4) Continuation of 08:081:571,572  Current Issues in Art Practice I.
08:081:703 Thesis (4) The written thesis statement is a discussion of the thesis exhibition that may include its evolution and influences, relevant theoretical and historical inquiries, or other pertinent investigations surrounding the student's work and includes three images documenting the exhibition.
08:081:704 Exhibition (4)
The exhibition is a presentation of two years of creative work in the program. It takes place during the final spring semester in the Mason Gross Galleries; a student's exhibit is subject to committee review, consultation, and evaluation by the thesis committee and other members of the graduate faculty.
08:081:800 Matriculation Continued (0) In order to retain degree-seeking status in the program until all requirements are completed, students must maintain continuous registration by registering each fall and spring semester for coursework, research, or matriculation continued. Students who fail to maintain their status must apply for reinstatement.
 
For additional information, contact RU-info at 732-445-info (4636) or colonel.henry@rutgers.edu.
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