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08:081:513,514
Drawing I (4,4)
This course examines drawing through the lens of the 21st century encompassing a wide range of media and approaches, as well as through the history and traditions of the discipline. Topics include: analysis and critique of student work, examination of technical aspects and theoretical issues, review of current art criticism, various social and cultural perspectives, and the continually changing role of the artist in society. Students working in all media are welcome.
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08:081:515,516
Printmaking I (4,4)
The history of print is inseparably linked to the dissemination of information beginning with Gutenberg continuing through to the internet. The fall semester covers print multiples including, but not limited to: serigraphy, intaglio, photolithography, monotype, print as installation. Fall semester will produce a portfolio of prints or multiples by each of the participants from the class. The student's print will be developed in collaboration with the master printer from the Brodsky Center and the professor. An outside artist will be invited to participate in the folio and the students will help in the production of the print/multiple. The spring semester will explore the epub as a tool for broadcasting creative content, not as a catalog of one's work, but innovating new forms of communication with dynamic and interactive matter.
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08:081:517,518
Painting and Studio Problems I (4,4)
Individual and group studio critiques of painting to facilitate development of a personal style as an idiom. Shared assigned readings and discussions of New York gallery and museum exhibitions in all media are required.
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08:081:521,522
Visiting Artists/First-Year Review (4,4)
This is a required course for both the fall and spring semesters for first-year graduate students. It features weekly presentations and lectures from noted artists, critics, and curators invited to the school. Each student will participate in a limited number of individual studio visits with invited guest presenters. At the end of the first and second semesters, the faculty conducts a review, where the students present their work for critique. The first-year review takes the form of a critique of work exhibited in the First-Year Graduate Student Exhibition, usually scheduled from mid-November to December of the first semester in the Mason Gross Galleries. A one-page artist statement is required for this review. An individual studio review is at the end of the second semester.
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08:081:523,524
Sculpture I (4,4)
The goal of this class is to help students develop as productive practicing artists. This course will provide a forum for the exploration of students' individual directions within the context of sculpture practice. Individual presentations will be conducted to encourage critical analysis and discussion. Instructor-student critiques will take place throughout the semester. We will also talk about contemporary trends in the art world and current gallery and museum exhibitions, as well as practical concerns regarding materials, archiving, grant solicitation, commissions, etc. Essays related to sculpture will be assigned throughout the course.
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08:081:525,526
Research Projects I (4,4)
A. First-year students will work directly with an assigned
instructor in an undergraduate course based on student's concentrations to
assist teaching for one semester to become eligible to be offered teaching
opportunities.B. Individual project proposed by student to faculty member
of his or her choice; faculty member who approves the project then acts as its
adviser.
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08:081:529,530
Conversations with Artists I (4,4)
Group critiques, individual meetings, and readings with an
emphasis on conversations between artists and the impact photography has on all
media. Includes visits to artist's
exhibits and studios in New York City.
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08:081:531,532
Media Seminar I (4,4)
A topics driven seminar on critical issues in media and contemporary art. For students working in all media, class includes readings,
group critiques, and screening, and often culminates with a collaborative class
event, exhibition, and/or publication.
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08:081:543,544
Art Criticism I (4,4)
Examination of the symbiotic relationship between an artist and the discourse in which his or her work is embedded.
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08:081:551,552
Studio Internship I (4,4)
Offers direct experience in the profession. Students are responsible for locating internships with master artists, galleries, alternative art spaces, periodicals, and programs. The graduate director acts as the liaison once an internship is established.
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08:081:553,554
Painting and Practice I (4,4)
Weekly seminar where public and private methods of critique and studio practices are explored through group critiques, presentations, and in-class participation.
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08:081:569,570
Beyond the Studio I (4,4)
Investigation of
artist's public self with an emphasis on the artist talk/lecture and the
translation for digital reproduction of artwork in any medium. Readings will
include manifestos. Class discussions will include critiques of participants'
artwork, lectures, manifestos, and online activity.
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08:081:571,572
Current Issues in Art Practice I (4,4)
Individual studio meetings, group critiques, and reading/discussion-based seminars on range of issues and themes in art history, contemporary art, and culture. Readings change each semester and are across disciplines and media.
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08:081:613,614
Drawing II (4,4)
Continuation of 08:081:513,514 Drawing I.
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08:081:615,616
Printmaking II (4,4)
Continuation of 08:081:515,516 Printmaking I.
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08:081:617,618
Painting and Studio Problems II (4,4)
Continuation of 08:081:517,518 Painting and Studio Problems I.
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08:081:621,622
Visiting Artists (4,4)
Weekly lectures and presentations of work and ideas by invited guest artists, critics, and curators; followed by discussion. As part of this course, students participate in a limited number of individual studio visits.
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08:081:623,624
Sculpture II (4,4)
Continuation of 08:081:523,524 Sculpture I.
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08:081:625,626
Research Projects II (4,4)
Individual project proposed by student to faculty member of his or her choice; faculty member who approves the project then acts as its adviser.
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08:081:629,630
Conversations with Artists II (4,4)
Continuation of 08:081:529,530 Conversations with Artists I.
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08:081:631,632
Media Seminar II (4,4)
Continuation of 08:081:531,532 Media Seminar I.
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08:081:643,644
Art Criticism II (4,4)
Continuation of 08:081:543,544 Art Criticism I.
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08:081:651,652
Studio Internship II (4,4)
Offers direct experience in the profession for second-year graduate students, who are responsible for locating internships with master artists, galleries, alternative art spaces, periodicals, and programs. The graduate director acts as the liaison once an internship is established.
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08:081:653,654
Painting and Practice II (4,4)
Continuation of 08:081:553,554 Painting and Practice I.
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08:081:669,670
Beyond the Studio II (4,4)
Continuation of 08:081:569,570 Beyond the Studio I.
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08:081:671,672
Current Issues in Art Practice II (4,4)
Continuation of 08:081:571,572 Current Issues in Art Practice I.
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08:081:703
Thesis (4)
The written thesis statement is a discussion of the thesis exhibition that may include its evolution and influences, relevant theoretical and historical inquiries, or other pertinent investigations surrounding the student's work and includes three images documenting the exhibition.
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08:081:704
Exhibition (4)
The exhibition is a presentation of two years of creative work in the program. It takes place during the final spring semester in the Mason Gross Galleries; a student's exhibit is subject to committee review, consultation, and evaluation by the thesis committee and other members of the graduate faculty.
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08:081:800
Matriculation Continued (0)
In order to retain degree-seeking status in the program until all requirements are completed, students must maintain continuous registration by registering each fall and spring semester for coursework, research, or matriculation continued. Students who fail to maintain their status must apply for reinstatement.
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