50:354:300History of the Film (3) The development of major film movements, with particular attention to the technical and stylistic contributions of major directors. |
50:354:310Literature and Film (3) Adaptations from other narrative and dramatic forms; relations between literary and film conventions; special problems in adapting literary works to film. |
50:354:315American Film (3) The American film from the silent period to the present; concentrated study of several major directors, such as Ford, Hawks, and Welles. |
50:354:320World Cinema (G) (3) Major developments and achievements in French, Italian, British, Russian, and other national cinemas; cross influences between foreign and American cinema. |
50:354:350Major Filmmakers (G) (3) The viewing, analysis, and discussion of selected films by such directors as Griffith, Eisenstein, Ford, Huston, Welles, Bergman, Fellini, Buñuel, and Kurosawa. |
50:354:391,392,393,394Special Topics in Film (3,3,3,3) A course in a specially selected topic. Primarily, but not exclusively, for advanced students. Courses with different topics may be repeated for credit. |
50:354:395Screenwriting (3) Instruction and practice in preparing screenplays for production. |
50:354:396,397,398,399Studies in Film Genres (3,3,3,3) Intensive study of a particular genre of film, including the musical, the western, the crime drama, the comedy, or science fiction film. |
