Art 081
The following courses serve as studio classes for the bachelor of arts (B.A.) and the bachelor of fine arts (B.F.A.) curricula.
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07:081:101-102
Artmaking (3,3)
Fundamentals of artmaking, using a variety of materials, techniques, styles, and visual ideas. Exploration of a wide range of media; development of the individual's expressive powers and of a critical and formal vocabulary.
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07:081:105
Visual Arts Practice (1)
Crew assignments each term in exhibition techniques and studio mechanics.
Required of all B.F.A. visual arts majors. Must be repeated for a total of 3 credits.
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07:081:121
Drawing Fundamentals I (3)
Examination of the techniques, materials, and ideas of drawing, with emphasis on discovery, experimentation, and personal expression in relation to concepts and images in art.
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07:081:122
Drawing Fundamentals II (3)
Continues study of the techniques, materials, and ideas taught in Drawing Fundamentals I.
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07:081:211-212
Ceramics I (3,3)
Methods of handling clay centered on development of techniques in conjunction with design skills. Hand building and throwing on the wheel. Experimentation with varied techniques in glazing and firing and with using materials related to clay.
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07:081:215
Computers in Graphic Design I (3)
Provides an introductory level exploration of applications for text and image generation and manipulation including Photoshop, Illustrator, and In Design. Issues involving input and output are discussed.
Pre- or corequisite: 07:081:231.
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07:081:216
Computers in Graphic Design II (3)
Provides an intermediate level exploration of applications for text and image generation and manipulation including Photoshop, Illustrator, and Quark. A familiarity with these programs required. Issues involving output to print screen are discussed.
Prerequisites: 07:081:215 and 231.
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07:081:221-222
Drawing I (3,3)
Techniques for rendering objects and the human figure as well as the development of notation systems and abstract designs; drawing on a wide variety of materials and formats.
Prerequisite: 07:081:121.
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07:081:223-224
Figure Drawing I (3,3)
Intensive study of the human figure using a variety of techniques to develop skill, accuracy, and expressiveness.
Prerequisite: 07:081:121.
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07:081:227
Design and Visual Thinking: Black and White (3)
All the elements of form except colors as applied to two-dimensional art and low relief: line, shape, texture, volume, and light and dark. Black-grey-white as a range of pigments and as a range of illumination from shadow to light. Light as the medium of vision and as a visual tool in design and the fine arts.
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07:081:228
Design and Visual Thinking: Color (3)
Color considered primarily as pigment; some attention given to color as light and an introduction to color printing processes. Approaches to color relationship, theories of organization of color on both scientific and aesthetic levels.
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07:081:231
Introduction to Graphic Design (3)
Introduces the design process. Students develop the ability to generate and develop original design solutions using appropriate hand methods and computer technologies to communicate ideas; analysis of contemporary and historical design.
Prerequisites: 07:081:101 and permission of instructor. Note that enrollment in 07:081:331,332 Graphic Design II,III is limited to 20 students.
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07:081:232
Introduction to Typography (3)
Typography is the visual representation of language. By manipulating the form words can take, typography enhances the power of words to communicate, explain, and express. This course provides a comprehensive introduction to typography through practical studio exercises and seminar presentations. Students develop a sensitivity to and skill in the organization of type with regard to graphic expression and communication. Covers type terminology and history and studio principles of contrast, spatiality, legibility, composition, and hierarchy.
Prerequisite: 07:081:231.
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07:081:236
Introduction to Digital Media (3)
An introductory course for basic digital media. Offered from a studio art perspective investigating critical issues through the use of applications including Photoshop, Illustrator, Flash, and Go-Live. The course is a prerequisite to advanced study in areas including photography, printmaking video, film, and graphic design.
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07:081:239
Monotype/One-off Print (3)
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07:081:243
Video I (3)
An introduction to video in both black and white and color, using portable and studio equipment. Examination of the application of video to the contemporary fine arts, to documentation, and to television production.
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07:081:251-252
Painting I (3,3)
Individualized work that introduces a range of technical and experimental approaches to oils and acrylics. Varied approaches to the problems of structure, shape, and color, and to the development of formal coherence and imagery through individual and group critiques.
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07:081:261-262
Photography I (3,3)
Introduction to basic black and white photographic processes focusing on the camera, film development, and printing techniques, and on the potentiality of photography as an expressive, formal, and documentary medium.
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07:081:271
Silkscreen I (3)
Techniques of contemporary silkscreen printing including expressive and design possibilities of the print medium; aesthetic and social questions raised by modern printmaking explored. Handmade paper as an extension of the artwork introduced along with computer imaging and photo processes.
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07:081:273
Lithography I (3)
Training in the basic techniques of black and white and color lithography and monoprints; investigation of aesthetic and social questions raised by modern printmaking using black and white and color on both stone and aluminum plates. Introduction of computer imaging and photo processes.
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07:081:275
Intaglio I (3)
Training in the expressive and design possibilities of etching, aquatint, dry point, and other etching techniques, with individualized work in both black and white and color; investigation of aesthetic and social questions raised by modern printmaking with an introduction to photo processes and computer images; handmade paper formation for intaglio printing.
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07:081:277
Relief Printmaking (3)
Training in the expressive and design possibilities of woodcut, linoleum, and other relief processes with individualized work in both black and white and color. Exploratory techniques in photo imaging and experimentation as well as the investigation of aesthetic and social questions raised by modern printmaking.
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07:081:281-282
Sculpture I (3,3)
Investigation of the materials and concepts of three-dimensional art, focused on various techniques using plaster, wood, and metal and on each individual's expressive and formal ideas.
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07:081:307
Stone Carving I (3)
This
class will give students an introduction to the techniques and
processes involved in the art of stone carving. Students will learn
traditional hand carving techniques of their choice of soft stones such
as alabaster, marble, or limestone. In addition to traditional
techniques, we will discuss the use of power tools for carving, and
students will have the opportunity to use such tools to augment their
hand-carving. Throughout the class, emphasis will be on aesthetic
expression in the works. Students will be encouraged to experiment
with their approach to carving, and we will discuss the role of stone
as a sculpture medium in today's society.
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07:081:308
Metal Casting (3)
This class will introduce the student to the art of metal casting. We will explore age-old techniques such as the lost-was process, as well as modern techniques such as lost-foam casting. All aspects of metal casting will be covered, including modeling, moldmaking, was casting, gating, investing metal pouring, and finishing. We will discuss the role of cast sculpture in today's society, and students will be encouraged to investigate contemporary metal sculptors. Emphasis will be put on artistic development and aesthetic expression. Experimentation will be supported in hope of discovering new uses of cast objects in a new, traditional way.
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07:081:311-312
Ceramics II (3,3)
Continuation of the training in techniques and concepts introduced in 07:081:211-212 Ceramics I.
Prerequisites: 07:081:211-212.
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07:081:321-322
Drawing II (3,3)
Continuation of the training in techniques and concepts introduced in 07:081:221-222 Drawing I.
Prerequisites: 07:081:221-222.
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07:081:323-324
Figure Drawing II (3,3)
Continuation of the training in techniques and concepts introduced in 07:081:223-224 Figure Drawing I.
Prerequisites: 07:081:223-224.
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07:081:325-326
Figure Drawing for Painting (3,3)
Problems of the figure in drawing and painting. Focus on working from the model in a variety of mediums and making the transition from line into paint. Figure/ground relationships. Expressive narrative.
Prerequisites: 07:081:121, 251.
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07:081:331
Graphic Design II (3)
In-depth study of content-based design process. Students explore complex projects with emphasis on text and image; research, experimentation, visual refinement; technical and production skills further developed.
Prerequisites: 07:081:231, 232. Corequisites: 07:081:333, 334. Course enrollment is limited to 20 students based on competitive portfolio review by faculty committee.
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07:081:332
Graphic Design III (3)
Students explore complex projects with increased emphasis on interpretation and authorship in graphic design. Includes studio work that emphasizes sequences and series.
Prerequisite: 07:081:331. Corequisite: 07:081:334.
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07:081:333
Typography II (3)
Continued study of typographic practice in various contexts. Students build an understanding and ability to use typography meaningfully as a tool for organizing information (denotion) as well as for expressing ideas (connotation). Covers publication design issues of concept development, page composition, sequence, and typographic grid.
Prerequisites: 07:081:231, 232.
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07:081:334
Professional Practice in Design (3)
Prepares students for transition to design practice through the production of a professional portfolio, introduces techniques of print production and professional studio practices.
Prerequisites: 07:081:331, 333. Corequisite: 07:081:332.
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07:081:343
Intermediate Video Production (3)
Continuation of training in techniques and concepts introduced in 07:081:243 Video I.
Prerequisite: 07:081:243.
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07:081:344
Intermediate Media Workshop (3)
Students use either film or video for production, learn digital postproduction techniques, and pursue individual projects and participate in group critiques.
Prerequisite: 07:081:243.
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07:081:351-352
Painting II (3,3)
Continuation of the training in techniques and concepts introduced in 07:081:251-252 Painting I.
Prerequisites: 07:081:251-252 or permission of department.
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07:081:353,354
Interactive Design I,II (3,3)
Deals with the theory and practice of interactivity, and is concerned mainly with web design. The principals of information design are applied to the planning of screen-based interfaces and systems. Students use appropriate software programs.
Prerequisites: 07:081:231, 232. Pre- or corequisite 07:081:331.
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07:081:355
Digital Audio (3)
Studio course in digital audio postproduction techniques and their application in independent film and video and the visual arts.
Prerequisites: 07:081:243 and basic Macintosh computer skills.
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07:081:358
Photo Books I (3)
Design and construction of artists' books that employ photographic
imagery. Emphasis on contents and use of a variety of photo processes.
Prerequisites: 07:081:261-262.
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07:081:361-362
Photography II (3,3)
Continuation of the training in techniques and concepts introduced in Photography I.
Prerequisite: 07:081:261.
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07:081:365
Social Documentary Photography I (3)
Development of documentary photographic techniques using black and white prints and slides, focusing on social, environmental, and personal issues. Training in use of sound, speech, and music in relation to photography and in various documentary formats, sound-slide and books primarily.
Prerequisite: 07:081:261.
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07:081:367
Alternative Photography Processes I (3)
Nonsilver processes such as cyanotype and kwikprint. Also VanDyke brown and Rockland silver emulsions.
Prerequisite: 07:081:261.
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07:081:368,369
Digital Photo Image I (3,3)
Concepts and tools of photo-based, computer-mediated still images. Students originate, appropriate, and manipulate images from a wide range of sources. Assignments and discussion address critical issues in contemporary digital practices.
Prerequisite: 07:081:261 or equivalent by permission.
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07:081:371
Silkscreen II (3)
Continuation of principles learned in 07:081:271 Silkscreen I.
Prerequisite: 07:081:271.
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07:081:372
The Painterly Print (3)
Monotypes
and the one-off print. This course will explore the painterly
possibilites of making one-of-a-kind prints, utilizing a variety of
papers and working from small to large scale on a 4' x 10' etching
press. Other techniques which will be explored include copy transfers,
both in color and black and white, collograph techniques and a variety
of chine colle' methods whereby one can glue a variety of printed
papers in a collage manner. This course is perfect for those who love
to paint and for those who like to experiment with different materials.
Those who have previous printmaking experience can incorporate other
techniques, including relief, intaglio, silkscreen, and lithography.
The goal is to create unique prints to enrich one's artistic vocabulary.
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07:081:375-376
Artists' Books: Bookworks I (3,3)
Individualized projects on the book as alternative space with concentration on ideas of sequential information either as individual bookworks or installation; some information and technique in book formation and binding and formation of handmade paper for bookworks.
Prerequisites: 07:081:101, 121.
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07:081:379
Papermaking (3)
Includes western style formation, working with Japanese fibers, and three-dimensional casting. Coloring of pulps, collaging, gluing, laminating, and designing sheets of paper for book projects.
Prerequisites: 07:081:101, 121.
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07:081:381-382
Sculpture II (3,3)
Continuation of the training in techniques and concepts introduced in 07:081:281-282 Sculpture I.
Prerequisites: 07:081:281-282.
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07:081:386
Papermaking II (3)
Development of a personal focus in the paper arts.
Open to all students with a basic knowledge of papermaking and graduate students interested in executing contemporary ideas through this medium.
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07:081:391,392
Independent Study (B.F.A.,BA)
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07:081:393,394
Internships (B.F.A.,BA)
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07:081:411-412
Ceramics III (3,3)
Advanced work in ceramics.
Prerequisites: 07:081:311-312. Primarily for students who have concentrated in this area.
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07:081:431
Advanced Design I (3)
Students work at an advanced level to develop a personal voice. Technical and conceptual skills are applied to complex design problems; students use research and brainstorming to define problems and develop formally refined solutions. Students produce thesis-level work that demonstrates an awareness of contemporary developments in design. Offered concurrently with 07:081:497-498 Thesis and Exhibition.
Prerequisites: 07:081:231, 332, 333, 334.
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07:081:432
Advanced Design II (3)
Continuation of 07:081:431 Advanced Design I.
Prerequisite: 07:081:431.
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07:081:442
Video Installation (3)
Focus is on space, time, and the body in relation to these elements. Things in a new context acquire new meaning and construct meaning around them. Students use video, sound, and other materials to create and manipulate space. A specific space and time factor will be the starting point for each project. Emphasis on the experimental and time-based nature of installation.
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07:081:445
Digital Editing for Film/Video (3)
An in-depth postproduction film/video course on digital editing techniques and editing aesthetics.
Prerequisites: 07:081:243, 343, and 344.
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07:081:446-447
Advanced Media Workshop (3,3)
Offers more intensive investigations into media art and opportunities for collaborative projects.
Prerequisites: 07:081:243 and 343 or 344. For video students.
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07:081:451-452
Painting III (3,3)
Advanced work in painting.
Prerequisites: 07:081:351-352. Primarily for students who have concentrated in this area.
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07:081:453-454
Advanced Painting and Drawing (3,3)
Further work in painting.
Prerequisites: 07:081:451-452. Primarily for students who have concentrated in this area.
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07:081:458
Photo Books II (3)
Advanced study of material taught in 07:081:358.
Prerequisite: 07:081:358.
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07:081:461-462
Photography III (3,3)
Advanced work in photography.
Prerequisites: 07:081:361-362. Primarily for students who have concentrated in this area.
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07:081:465
Social Documentary Photography II (3)
Advanced study of material taught in 07:081:365.
Prerequisite: 07:081:365.
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07:081:466
Digital Printmaking (3)
Explores the digital manipulations of images in Adobe Photoshop and Adobe Illustrator; alternative forms of ink-jet prints; and photographic processes in lithography, intaglio, and silkscreen. Assignments concentrate on the development of critical issues.
Prerequisites: 07:081:101, 121, 273, and 275.
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07:081:471
Lithography II (3)
Continuation of principles learned in 07:081:273 Lithography.
Prerequisite: 07:081:273.
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07:081:472
Intaglio II (3)
Continuation of the principles learned in 07:081:275 Intaglio I.
Prerequisite: 07:081:275.
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07:081:475
Artists' Books: Bookworks II (3)
Continuation of 07:081:375 Artists' Books: Bookworks I.
Prerequisite: 07:081:375.
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07:081:481-482
Sculpture III (3,3)
Advanced work in sculpture.
Prerequisites: 07:081:381-382. Primarily for students who have concentrated in this area.
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07:081:483-484
Advanced Sculpture (3,3)
Further work in sculpture.
Prerequisites: 07:081:481-482. Primarily for students who have concentrated in this area.
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07:081:491-492
Independent Study (B.F.A.,BA)
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07:081:493,494
Internships (B.F.A.,BA)
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07:081:497-498
Thesis and Exhibition (3,3)
Summary work for art majors combining individual creative work with the planning and production of a senior exhibition and the writing of a senior thesis.
Open only to B.F.A. seniors.
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